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On the road with Peter Miller
Where goest thou, America?The book deserves its award for visual excellence. Miller includes several panoramic shots, only appropriate considering the ocean-like vastness of the landscape. He also shows us the people in a way that, combined with the text, almost makes you feel you've been introduced to them in person. This book honors them, and if they had the chance to read it I hope they would agree.
Plains people, of course, are no more or less important than anyone else. But if this book were, say, "People of the Strip-Mall Towns," I don't think it would have quite the same appeal. It seems Great Plains life is in many ways endangered, not only its economy but also, more importantly, its ideals. What is it like to have roots, a heritage? What is freedom, good work? These questions beg to be asked as we careen through our microchipped, catch-me-if-you-can Information Age, a beat to which America marches faster each year. The future can never--and should not--be exactly like the past, but nevertheless there are many things worth saving. Read this book and you may understand.


Indispensible, entertaining guide to Chicago's ArchitectureThe book is great because of its clear structure and handy size; downtown is divided into 3 neighborhoods each with their own map with buildings keyed by number. The 100+ buildings are then each given their own page w/ an architects fine line drawing of the building (some with close up details) on top and description below. There's also a glossary of Chicago archi-terms and everything is indexed by building and architect. The writing is user-friendly and often very entertaining -- brief historical backround of building and architect, followed by incisive an commentary as to WHY the building is famous and how it fits into the ongoing story of Chicago's architecture.
One of the best portable guides to buildings that I have used in any city--highly recommended.
A Traveler's Bonanza

I know it's mostly true. I Iived nearby.
An excellent memoir about the beauty of baseball and life

Cycle "escape"
My Eyes Have Been Opened

Great detail covering a large area
Must have for Chicago area sales people

A "must" for motorized travelers touring America's northwest
Review from the Dec issue of Bookwatch

Return Again to the Scene of the Crime
Terrific Read - Fascinating and Off-beat Chicago Stories

I LOVED it!
Jerry Dennis elevates the personal essay to a new level.And as a writer, Dennis is as greedy as a big trout. He feeds voraciously on the facts, observations, insights and conclusions which tell him that as a writer he is alive.
Both long-time fans of Dennis's work and newcomers alike will find "The River Home" to be a special treat. Those familiar with his early book of fishing essays, "A Place on the Water" as well as his two books of natural history, "It's Raining Frogs and Fishes" and "A Bird in the Waterfall" will be able to trace his growth as a writer. Those who aren't will be amazed at the style at which Dennis has arrived at this point in his career.
I'll leave the official pronouncement of "a classic form" to wiser and more experienced reviewers. But in this book, Jerry Dennis has elevated the typical "outdoor" essay, usually a mere recollection of adventures while hunting, fishing, camping, canoeing, or pursuing other outdoor activities. He has transcended the typical by blending in elements of "nature" writing: observation, research, speculation about the world in which the sportsman places himself. And for Dennis, this world is not merely part of the background; it is part of the fabric of the experience in which he wraps himself.
For example, in the initial essay, "Home Again," as easily as he'd don a favorite pair of worn blue jeans, he slips into a discussion of the geological impact of glaciers on the part of Michigan where he lives. And in "Big Troug in Condor Country" he takes time out from taking you trout fishing to explain the topography of the Rio Puelo Valley and the lives of the people there.
If you want comparisons, I'll offer: Dennis is like John McPhee in that he speaks with authority based on exhaustive research and experience; the facts have become his own. He is like Walt Whitman who! wrote, "What I shall assume you shall assume." In places Dennis speaks of "we" and you quickly learn to trust his conclusions.
Whitman also wrote: "Do I contradict myslf? Very well then I contradict myself (I am large, I contain multitudes)
Contradictions didn't bother Whitman and they don't bother Dennis. In one essay, with a simple pejorative, he dismisses Thoreau's advice that a person be content to explore a few acres in a lifetime. But in another, whose title itself is a quote from ol' Henry David, "Simplify, Simplify" he paraphrases: "I am determined to live life deliberately. I refuse to fritter my life away on details ..."
Then again, perhaps he's not contradicting himself. Perhaps he is just being picky.
In addition to being greedy, big trout can also be selective.


Fantastic!
I want to live here!

Sand Dunes of the Great Lakes is spectacular!C.J. and Edna Elfont - a husband-wife team of amazing talent - have combined their uniquely complementary skills to create a truly unique creation in Sand Dunes of the Great Lakes. What makes this book special is that it's a spirit-inspiring BLEND of the photographic art with the literary art. C.J. is the photographer; Edna is the writer.
The book's 144 pages contains a breath-taking photo on nearly every page. And these aren't your usual postcard pictures of sunrises and sunsets. They're truly art. Each one grabs your attention and dazzles your imagination, and makes you wonder "How in the world did they see that ... and capture it on film?"
The photography alone makes this an awesome piece. But the addition of the poetry and prose elevates it to the sublime. Amazingly, the prose explains the geo-scientific origins of the sand dunes through the eye of the artist. ("The masses of moving iced filled once green valleys, seeking the paths of least resistance. As the glaciers moved, they scraped and scoured the earth, trapping rocks, soil and anything else in their path.")
But what ultimately takes this book into a realm of its own is the poetry. I loved it. Appearing here and there are beautiful five-line poems (known as cinquain poetry). Each one pertains to an adjacent photo. I found that first I gazed at the photo, marveling at its beauty, then read the poem next to it, and, finally, went back to the photo to see it in a whole new light and appreciation. This book isn't just photos combined with prose and poems, it is - believe it or not - artistic SYNERGY!
In short, this book is a unique, awe-inspiring blending of photographic and literary art that depicts and explains an aspect of our natural, environmental heritage in a way never before done. You won't be disappointed.
Not Just Your Average Striking Coffee Table BookBut it is more than a visually stunning book; it is also very informative. Edna Elfont's text takes the reader through the geologic history of the formation of the dunes, the forces that constantly shift the sands, and their flora and fauna. My favorite section is "Then There Was Sand," a wonderful essay on the uniqueness of the Great Lakes granite sand, and its qualities: "Unlike the qypsum sand of White Sands, New Mexico or the calcite sand in Bermuda, the sand of the Great Lakes coastal dunes slips through one's fingers like granulated silk." p. 37
It is clear that this couple has a deep love for the dunes and the nicely matched skills to articulate them verbally and visually.
When Peter Miller hit the roads of the Great Plains to photograph and write about its people, it was a journey of discovery as much as a quest for stories, information and images. His discoveries are as significant, beautiful and moving as the stories and images in People of the Great Plains. This is a book every reader, every lover of fine photography, every person interested in the soul of America will want to have.